Excerpt: William
Goldman's Adventures
in the Screen Trade.
p.184
The SERVANT presses a button. The gate opens.
CUT TO
A LONG TREE-LINED PRIVATE DRIVEWAY. Maybe hair
a mile or more in length. At the end of It is
the SAMPSON mansion. As it starts to come INTO
VIEW-
CREDITS COME TO AN END.
The first time I saw Harper in a Broadway theatre
was when my education began. (I had already seen
it once, at a screening, which I'll get to shortly.)
I sat there with my popcorn, waiting for the
picture to get going--which was when he gets
his assignment from Mrs. Sampson. At least that's
what I thought.
The credits came on. Paul Newman lies there,
the alarm clock goes off, he knocks it away,
gets up, turns off the tube, lets the shade fly
up, goes to the kitchen, picks up the coffee
can. Nothing unusual so far.
Then, when he tipped the coffee can and found
it empty, this sound began in the theatre. It
was laughter and it built when he opened the
wastebasket and saw the used grounds. And built
more as he hesitated, making up his mind. Now
when he reached down, plopped it into the Chemex,
the theatre was really loud. This was not one
of those wonderful sudden shrieks of laughter,
such as when Woody Allen sneezes on the cocaine
in Annie Hall.
If you're in the movie business, you try to
pay as much attention as you can to audience
reaction; you try to read it. And as I sat there,
surprised at what was going on around me-I'd
seen the picture, remember, with a few people,
and the credits were just that, credits - I wondered
what it was the audience was reacting to. It
sure wasn't any zippy dialog of mine, because
there was no talk at all.
Then, when he looked at the filled coffee cup,
the sound seemed to be peaking. But it wasn't.
For when he finally took that first swallow and
practically gagged, the theatre exploded.
I still just sat, listening to the people. The
appreciative laughter continued practically till
he drove up to the mansion. And once the plot
began, everything played at a much higher level
than I'd imagined possible when I first saw the
movie at the screening. |